Translate

Sunday, 26 March 2017

Butler - 1973 - Butler FLAC


Bang Bang/Sucide Ride/We're Getting Nowhere/In The Morning/Especially For You/Green River/Reach Out/Tilda Jane/Mistake/Southern Magic/Here We Come/Mirror Don't You Weep



Butler were one of few all-Maori rock bands. All four members were originally from Rotorua, but the band actually formed in Christchurch in 1970. Predominantly an underground group, they played their early gigs at the Open Door, before moving into Trevor Spitz's nightspot Aubrey's. Having built a strong Christchurch following, the band took stabs at other South Island centres, returning to hometown Rotorua in 1971. From there they began building up a North Island following, proving popular on the University circuit with their combination of originals and Led Zeppelin / Wishbone Ash covers.

Some television exposure followed with a spot on 'Happen Inn', 'Popco' and 'Free Ride'. This was fairly rare for an underground group and even with this they never really gained much pulling power.


 In 1973 they recorded a self-titled album for Pye. It was released on the Family label and from it came one single, "Green River"/"Especially For You". They never scored a hit single and the only album they released was a commercial flop, but Christchurch-based band Butler found a warm place in the hearts of many NZ rock fans in the early and mid-1970s. Their fusion of psychedelia, progressive and blues-rock shone in a live setting, and Butler became a highly popular band on the national campus circuit. One of the few all-Maori bands of that era, the story of their formation is one of the most fascinating in NZ rock.
Show less -

The creation of Butler was both spontaneous and unconventional. A typical New Zealand rock band circa 1970 would comprise high school pals or early twenty-something Pakeha males, jamming in a garage or rehearsal space. The bonds between the four members of Butler were forged in the tobacco fields of Motueka and a drop-in centre in Christchurch. Butler comprised four Rotorua area born and raised Maori teenagers. The original (and only) line-up comprised Steve Apirana (guitar, vocals), Heidi Warren (guitar, vocals), Angel Adams (bass), and Hori Sinnott (drums). Apirana started playing guitar at age 15, and a year later he and Warren (who was a year younger) decided they'd start a band. Their dream, however, only coalesced with these jams in Christchurch. "We approached the guy who was running the centre and got him to open it up on a night it was not normally open so we could practice," Steve told Cross Rhythms. "Three days later, the son of the minister offered to be our manager. Here we were, a band formed in three days, nowhere to play, only a couple of instruments, but we had a manager!"



 As a buzz around Butler built, the band was invited to play orientation week gigs at the University of Canterbury, starting in early 1971. I had just begun studies there, and I have fond memories of beer-soaked campus gigs featuring Butler serving up high-energy and more than competent cover versions of the songs we'd play in our frigid student flats. Butler's career took a significant leap in 1972 when they took over from fellow blues-rockers Ticket in a residency at top Christchurch music club, Aubrey's. Apirana told Maori TV, "Ticket were like The Beatles to us. They were the number one band around. I'd go to see them whenever I could, getting tips from their compositions." Regular playing at Aubrey's, support slots for visiting bands like Daddy Cool and other gigs in Christchurch and beyond helped Butler hone their skills, and they began asserting themselves as one of the best live bands in the country.


This fast-growing reputation led to an invite to appear at the now-legendary Ngaruawahia Festival in early 1973, alongside such other fledgling New Zealand bands as Dragon and Split Enz. "Back then everyone was getting record deals," notes Apirana. "Our manager asked around for a deal and Pye took us up on it. They put us on a new label, Family. I think John Hanlon was the only other artist on it." 
 




Butler's disenchantment with the record and the label grew as time went by. "It took them 18 months to release it and by then we’d progressed more into prog rock and bands like Wishbone Ash. We weren’t even playing many of those songs on the record." An initial single had a cover of Creedence Clearwater Revival hit 'Green River' as the A-side, but it fared poorly. "The label never really got behind it," Apirana laments.

On the Butler album, nine group originals nestled alongside covers of 'Green River’, Cher's hit 'Bang Bang’ and the Four Tops classic 'Reach Out I’ll Be There'. Despite the album's failure, Butler remained popular on the touring circuit, and they opened for such visiting groups as The Average White Band and Osibisa.  By 1976, Butler were hoping to make another album, one that better captured their improved musical chops, but internal and philosophical differences within the band deepened, causing them to call it quits in 1977.

Saturday, 18 March 2017

Dragon - 1986 - Dreams of Ordinary Men FLAC


Dreams Of Ordinary Men/Speak No Evil/Nothing To Lose/Western Girls/Intensive Care/Temptation/Midnight Sun/Love Don't Stop/Forever And Ever/Smoke/ Start It Up/When I'm Gone




 Dragon is a rock band which was formed in Auckland, New Zealand, in January 1972 and relocated later to Sydney, Australia in May 1975. They were originally fronted by singer Marc Hunter and are currently led by his brother, bass player/vocalist Todd Hunter. They performed and released material under the name Hunter in Europe and the United States during 1987.

Keyboard player Paul Hewson wrote or co-wrote most of the group's 1970s hits: "April Sun in Cuba" peaked at #2 on the 1977 Australian singles chart, "Are You Old Enough?" reached #1 in 1978, and "Still in Love with You" reached #15 also in 1978. Later hits, from when the band re-grouped in the 1980s, were written by other band members, often working with outside associates: The Hunter brothers, with Todd's partner, Johanna Pigott, wrote "Rain," a #2 hit in 1983, while other, more minor hits were written by the Hunters and/or Alan Mansfield, frequently in collaboration with any combination of Pigott, Mansfield's partner Sharon O'Neill, Marc Hunter's partner Wendy Hunter, or producers Todd Rundgren and David Hirschfelder.

The name Dragon came from a consultation of I Ching cards by early band vocalist Graeme Collins.

Dragon have endured tragedy, adversity and notoriety, and during the course of the band's earlier career, several members died from drug-related causes. Problems began soon after their arrival in Sydney in late 1975, when all their equipment was stolen. Several months later, in 1976, drummer Neil Storey died of a heroin overdose; Paul Hewson of a drug overdose in 1985 and Marc Hunter of smoking-related oesophageal cancer in 1998. Several members of the group including Hewson and Marc Hunter were heavy heroin users during the band's heyday, and The Stewart Royal Commission (1980–1983) which investigated the Mr. Asia drug syndicate obtained evidence that Dragon members were clients. Two members were involved in a serious car crash in 1977, where Paul Hewson's neck was in a brace as well as having a broken arm and Robert Taylor needed plastic surgery, and Hewson also suffered from debilitating scoliosis and arthritis, the pain of which reportedly contributed to his heroin use. The band also undertook a famously disastrous 1978 tour of the USA, supporting Johnny Winter, which ended when Marc Hunter abused the Texan audience as "faggots" and the band were pelted off stage, while Winter's band were said to have taken bets about how long it would be before Hunter was shot. On 1 July 2008, the Australian Recording Industry Association (ARIA) recognised Dragon's iconic status when they were inducted into the ARIA Hall of Fame.


Dreams of Ordinary Men is an album recorded by Australian-New Zealand rock band Dragon in 1986. Dreams of Ordinary Men peaked on the Australian Music Charts on 7 October 1986 at number 17. Dreams Of Ordinary Men first charted on September 8, 1986, peaked at 18th position and stayed in the charts for 20 weeks. The album spawned three singles, "Speak No Evil", "Dreams Of Ordinary Men" and "Western Girls". "Speak No Evil" first charted on March 11, 1985, peaked at number 19 and stayed in the charts for 14 weeks. "Western Girls" first charted on December 8, 1986, peaked at number 58 and stayed in the charts for 11 weeks. The album was produced by Todd Rundgren.



Personnel

    Backing Vocals – Todd Rundgren
    Bass – Todd Hunter
    Drums – Doane Perry
    Engineer – Chris Andersen, Todd Rundgren
    Guitar [Additional] – Todd Rundgren, Tommy Emmanuel
    Keyboards – Alan Mansfield
    Saxophone – Gary Window, Lenny Pickett
    Vocals – Marc Hunter, Todd Hunter




Wednesday, 15 March 2017

Dennis Knight - 1985 - A Knight To Remember FLAC


Born On The Wind/Corrina Corrina/Hooked On Music/Never Walk Alone/One More Last Chance/Return To Sender/Return To Sender/She Wears My Ring/Sunset Dreamer/Take A Chance/This Lonely Heart



 In the late 60’s Dennis Knight recorded a song “Every Breath I Take,” with the backing of the then Bee Gees, Dennis’s career really started then. Dennis commenced working all major clubs throughout Queensland. Dennis further distinguished himself by winning the “Queensland Entertainer of the Year” award, five times in succession. In 1973, Johnny O’Keefe became Dennis’s manager and this boosted his career to the corporate market of the entertainment scene. J.O.K. nurtured Dennis to perform with such charisma, he himself had on stage. At Expo ’88 in Brisbane, Dennis performed to 12,000 people at the river stage and his concert could not be followed by any other artists, local, interstate or international. Dennis has shared the stage with some of the greats in the industry and he is still receiving the ovation he deserves. After the recording of four albums and six singles throughout his career, he finally received two Gold Albums for sales in excess of 80,000 for each album. Dennis is a great entertainer and in 1993 was voted “Variety Performer Of The Year”, for the Variety Club of Australia in which he plays an active part.  Thanks to Geoff for this one.

Thursday, 9 March 2017

Ray Hoff & The Offbeats - 1988 - Let's Go


Let's Go Let's Go Let's Go/Bama Lama Bama Loo/My Good Friend Mary Jane/Sinner's Prayer/Sweet Little Rock And Roller/Lookin' For My Pigs/Uncle Willee/Tossin' And Turnin'/ I've Got To Get You/Love, Love, Love/Chaser-I've Got My Mojo Working/In The Midnight Hour/Mercy, Mercy/Ain't Doing Too Bad




 Singer Ray Hoff formed the first version of Ray Hoff and the Off Beats in Sydney during the late 1950s. The band's style of rock'n'roll was raw with a strong R&B base. The band made little headway, despite several years of slogging around the Sydney dance/discotheque circuit. There were a number of different line-ups during the band's early days. John Ryan and his brother Vince (sax) were temporary members. In 1960, Jimmy Taylor left to join Johnny Devlin and the Devils, and Leon Isackson joined Dig Richards and the R'Jays.


RCA issued one single in 1964, a cover of Chuck Berry's `Little Queenie'/`Baby What Do You Want Me to Do?', before Hoff dissolved The Off Beats and headed over to Perth in Western Australia. The final version of The Off Beats contained Jimmy Taylor, Col Risby (lead guitar) and Mike Downes (rhythm guitar), all of whom joined Billy Thorpe and the Aztecs. In Perth, Hoff formed a new Off Beats line-up, a seven-piece band comprising Graham Bartlett (guitar), John Gray (bass), Basil V'Delli (keyboards), Warwick Findlay (drums), Robert Baxter (sax), Roger Bloom (sax) and David Birkbeck (trumpet). As Perth's premier R&B outfit, Ray Hoff and the Off Beats signed to the Clarion label and issued the singles `Let's Go, Let's Go, Let's Go'/`Bama Lama Bama Loo' (May 1966) and `Tossin' and Turnin''/`Looking for My Pigs' (October 1966).
 

Ray Hoff and the Off Beats' rare, self-titled debut album featured one side of live cuts and one side of studio material. Among obligatory covers of `Got My Mojo Working', `In the Midnight Hour' and `Mercy Mercy' was the wild instrumental `My Good Friend Mary Jane'. Ray Hoff and the Off Beats issued one more single, `Love Love Love'/ `I've Got to Get to You', this time on the Action label (August 1967). With the final break-up of The Off Beats, Hoff formed a duo with Andre De Moller (ex-Blue Dogs) before travelling to the UK. In late 1971, Hoff joined an ambitious rock'n'roll revue band in Perth called Likefun. The line-up also included Stevie Wright (vocals; ex-Easybeats), Shirley Reid (vocals), Morri Pierson (vocals), John Tucak (bass) and Alan Wilkes (organ).

Original line-up: Ray Hoff (born Ray Hough, vocals), Jimmy Taylor (piano; ex-Warren William and the Squares), Darby Wilson (guitar), John Ryan (bass), Leon Isackson (drums)

Albums: Ray Hoff and the Off Beats (Clarion, 1966), Let's Go: The Festival File (Festival, 1988).




Friday, 3 March 2017

Ross Wilson - 1989 - Dark Side Of The Man (Cassette) FLAC


Dark Side Of The Man/Bed Of Nails/Ever Get The Feeling (That You've Been Had)/ Who Do You Take It To/You Got A Mirror/Go Bongo - Go Wild/When I Get My Hands On You/Tough Guy/What's Wrong With This Picture/Slow Fade


Ross Andrew Wilson (born 18 November 1947) is an Australian singer-songwriter, guitarist and producer. He is the co-founder and frontman of the long-standing rock groups Daddy Cool and Mondo Rock, as well as a number of other former bands, in addition to performing solo. He has produced records for bands such as Skyhooks and Jo Jo Zep & the Falcons, as well as for those of his own bands. He appeared as a judge on celebrity singing TV series It Takes Two from 2005. Wilson was individually inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 1989 and again as a member of Daddy Cool in 2006. Wilson's most successful solo release was 1989's "Bed of Nails" which reached No. 25 on the National singles charts. It was released from his July 1989 solo album Dark Side of the Man on WEA.

Monday, 27 February 2017

Various - 1980 - Andrew Durant Memorial Concert Cassette FLAC


Back Again/Pick Up The Pieces/Paradise/Jive Time/Good Times/Last Of The Riverboats/Jupiter Creek/Ocean Deep/Look After Yourself/Innocent Bystanders/Iceman/Solitaire/Wasted Words/Song For The Road/Mighty Rock/Knockin' On Heaven's Door


Andrew MacLeish Durant (1955 – 6 May 1980) was an Australian musician-songwriter. He was a member of country rock group Stars (1976–79) providing guitar, harmonica, and backing vocals. He was also a session and backing musician for a range of artists. He died of cancer, aged 25. On 19 August 1980 a tribute performance was held in his honour, with a live double-album recorded by various artists, Andrew Durant Memorial Concert, which was released on 9 March 1981. All but three tracks were written by Durant. It peaked at No. 8 on the Australian Kent Music Report Albums Chart and reached No. 40 on the End of Year Top 100 Albums Chart for 1981.



  Back Again  (Mick Pealing)
  Pick Up The Pieces (Feat. Glyn Mason of The Rebels, Chain, Home & Ariel) 
  Paradise (Feat. Renée Geyer) 
  Jive Town  (Mick Pealing)
  Good Times (Feat. Mick Pealing & Jimmy Barnes) 
  The Last Of The Riverboats (Feat. Jimmy Barnes) 
  Jupiter Creek (Feat. Broderick Smith) 
  Ocean Deep (Feat. Broderick Smith) 
  Look After Yourself (Feat. Mick Pealing & Richard Clapton) 
  Innocent Bystander (Feat. Richard Clapton) 
  Iceman (Feat. Broderick Smith) 
  Solitaire (Feat. Ian Moss) 
  Wasted Words (Feat. Mick Pealing, Jimmy Barnes & Renée Geyer) 
  Song For the Road  (Mick Pealing)
  Mighty Rock (Feat. Mick Pealing, Jimmy Barnes & Renée Geyer) 
  Knockin' on Heavens Door (Feat. Ian Moss, Mick Pealing, Broderick Smith, Jimmy Barnes) & Renée Geyer) 

Sunday, 26 February 2017

Margaret Urlich - 1989 - Safety In Numbers FLAC


Escaping/Number One (Remember When We Danced All Night)/Only My Heart Calling/Give Me Some Credit/Guilty People/The Tide Keeps Rolling In/Your Love/Open Up/Slip On By/Deep Down/God Bless The Child


Margaret Urlich (born 24 January 1965 in Auckland, New Zealand) is an ARIA Award-winning[1] musician based in New South Wales. Urlich moved to Sydney, Australia, in 1988 to pursue her singing career. Her debut solo album, Safety in Numbers, released in 1989, was highly successful and won "Breakthrough Artist - Album" at the 1991 ARIA Awards, Its follow-up Chameleon Dreams was also a success when released in 1992. Urlich has been successful Trans-Tasman, selling over 400,000 albums during her career, ranking her as one of New Zealand's most successful recording artists.

Safety in Numbers is the debut solo album by Margaret Urlich, released in 1989. The first single, "Escaping", was number one for three consecutive weeks in New Zealand and peaked at number 17 in Australia. Urlich won an ARIA Award in 1991 for Best Breakthrough Artist - Album for Safety in Numbers. The album achieved platinum status in New Zealand and triple platinum status in Australia. Safety in Numbers has sold over 265,000 copies.

Saturday, 25 February 2017

Dugites - 1982 - No Money Mini LP


No Money/Poor Daughter/Only A Woman Knows/Don't Lean On Me/Decide



 The Dugites formed in Perth in 1978 with a line-up of Lynda Nutter on vocals, Peter Crosbie on keyboards, Gunther Berghoffer on guitar, Phillip Bailey on bass and Clarence Bailey on drums. In 1979 The Dugites released a single "Hit Single"/"Bruce", and toured as the backing band for Dave Warner. The single had been self-financed, but that year they were signed by the Deluxe label distributed by RCA Records. In 1980 Paul Noonan (ex-Dave Warner's from the Suburbs) replaced Phillip Bailey. Their first album The Dugites was released in August 1980 and reached No. 22 on the Australian Album charts. It went on to attain gold status (35 000 copies sold). Three singles were issued from the album, "In Your Car"/"13 Again" in May 1980, which reached No. 34 on the Australian Singles charts in July, "Goodbye"/"No God, No Master" in July and "South Pacific"/"Gay Guys" in October, which reached No. 90. At the 1980 Countdown Music Awards both The Dugites and Nutter received nominations for 'Best New Talent' (Johnny O'Keefe Memorial Award) and 'Most Popular Female' respectively. In December the band were the opening act for Elton John's concert at the Perth Entertainment Centre.


 The band's second album, West Of The World which, like the first, was produced by Bob Andrews (Graham Parker and the Rumour), was released in July 1981. The album peaked at No. 33 on the Australian album charts and saw the release of two singles, "Waiting"/"Who Loves You More?", in May 1981, which reached No. 40 and "Part of Me"/"Never Touch" in September. In mid 1982 Berghoffer left the band and was replaced by guitarist Andrew Pendlebury (ex-The Sports), following which the band issued a single, "No Money"/"Decide" in July on the Rough Diamond label, and the related mini-album, No Money in August. Pendlebury was then replaced by Bob Fallovic (aka Boris Garter; ex-Stockings) and Paul Williamson also joined on saxophone. By mid-1983 however the line-up was reduced to Nutter, Crosbie, Bailey and Noonan. In 1985 after several appearances on TV's Hey Hey It's Saturday, Clarence and Linda stayed to live in Melbourne a while, where Clarence played drums in a Afro Reaggae Band called 'Randy and JahRoots' featuring Ghanaian star Randy Borquaye and drummer-congero Dezzy 'Animal' McKenna from Hey Hey.



The Dugites signed to Mercury/PolyGram and released their third album, Cut The Talking, in April 1984. Three singles were released from the album, "Cut the Talking"/"Michael and Rodney", in November 1983, "Juno and Me"/"Everything Must Change" in April 1984, which reached No. 60 on the Australian Singles charts, and "It Ain't Like That"/"All That I Want" in August. Following the release of the album the band added Peter Kaldor on saxophone and John Crosbie on trombone and trumpet to the line-up for touring purposes, but by the end of 1984 the group disbanded.

When the ABC's Sydney 'youth' radio station Double Jay was launched in 1975, Skyhooks' "You Just Like Me Cos I'm Good In Bed" was chosen as the opening song played on air, specifically because it had been banned by Australian commercial radio. When Double Jay switched bands to FM in 1980, The Dugites' "Gay Guys", the B-side of the Dugites 1980 single "South Pacific", which was also banned by commercial radio, became the first song to be played by Double Jay's successor, 2JJJ-FM Triple J.





Thursday, 23 February 2017

James Reyne - 1994 - The Whiff of Bedlam FLAC


Who the Hell Do You Think You Are/Red Light Avenue/Lion in the Winter/Uptown Ruler/Goin' Fishin'/It's Only Natural/Winds of Change/Only a Fool Would Say That/Walking in the Dreamtime/Poor Man in the Penthouse/No Secrets



 The Whiff of Bedlam is the fourth solo studio album by Australian singer/songwriter James Reyne released in October 1994 and peaked at number 20 in Australia. The album was preceded by lead single "Red Light Avenue" in September 1994. It was his first album released under label rooArt.


Tomas Mureika of All Music said "An astonishingly mature album by any artist's rights, The Whiff of Bedlam delves into territory many would never even dare to approach, all the while remaining cloaked in some of the most gorgeous melodies Reyne has ever crafted. The opening "Who The Hell Do You Think You Are?" sets the agenda - from a wispy electric piano intro, Reyne launches into an enigmatically vicious attack against someone, yet does so simply through the dynamics of his voice, avoiding the high-pitched intensity that earmarked his earlier works. From then on, there are twelve achingly soulful confessionals through which Reyne seems constantly on the verge of tears.. The devastating "It's Only Natural" moves from an organ intro through irresistable [sic] hook after hook, as Reyne seems to resign himself to his new discoveries as he has aged, only to immediately counter the downfall with the more upbeat melancholy of "Winds Of Change". With the harrowing possibilities unleashed by The Whiff of Bedlam, it is certain to say that Reyne has found his own day in the sun... and it keeps getting gloriously darker."






Tuesday, 21 February 2017

Marc Hunter - 1994 - Talk To Strangers FLAC


Get So Rough/One Of The Good Guys/Song Of New Devotion/Spellbound/Never Give Up/Southern Cross/Ever Since You've Gone/Never Be The Same/Talk To Strangers/Desires Of The Heart



 Marc Alexander Hunter (7 September 1953 – 17 July 1998) was a New Zealand rock and pop singer, song writer and record producer. He was the lead vocalist of Dragon (1973–79, 1982–89, 1995–97), a band formed by his older brother, Todd Hunter, in Auckland in 1972. They relocated to Sydney in May 1975. He was also a member of the Party Boys (1985). For his solo career he issued five studio albums, Fiji Bitter (November 1979), Big City Talk (August 1981), Communication (September 1985), Night and Day (August 1990) and Talk to Strangers (late 1994). During the 1970s Hunter had developed heroin and alcohol addictions; he was recklessly outspoken and volatile on-stage: in November 1978 during the band's United States tour, supporting Johnny Winter, they performed in Dallas, Texas, where "he made some general stage observations about redneck buddies, illegal oral sex and pick-up trucks" and called the audience members, "faggots". Upon return to Australia, in February 1979, he was fired from the group by his brother, Todd.

In August 1982 Hunter returned to the line-up of Dragon and continued with the group while also maintaining his solo career. They disbanded in 1997 when he was diagnosed with throat cancer, he died on 17 July 1998. Benefit concerts were held to provide for his widow, Wendy Hunter, and children. On 1 July 2008, the Australian Recording Industry Association (ARIA) inducted Dragon into their Hall of Fame. His biography, Chasing the Dragon: the Life and Death of Marc Hunter, was published by Jeff Apter in October 2011.

Thursday, 16 February 2017

Glenn Cardier - 1989 - An Everyday Maniac FLAC


Lovers Alias Fools/The Darlings of Market Street/Anniversary/New Born Babe/Ulysses/Tin Minstrel/Every Wounded Bird/I am the Day/Cars/
 Dance Numbers/Butterfly Net/The Iridescent Pink Sock Blues/Oh Dear St Peter/Christopher Columbus/Love at First Sight/Please Don't Eat the Flowers Dear/The Same Old Story/ I Saved Annette From Drowning/I See A Comedy/ Spaghetti Western (Live)


 Sydney singer/songwriter Glenn Cardier was a popular solo performer on the early 1970s scene. In much the same vein as James Taylor, Doug Ashdown and Ross Ryan, Cardier played a brand of gentle and reflective acoustic folk and soft rock that gained him a strong cult following. Cardier actually started out playing lead guitar in Brisbane acid-rock band The Revolution before taking to the road as a folkie.

He signed to Festival's progressive Infinity label, with which he issued two albums and four singles: `Every Wounded Bird'/`The Juggler' (July 1972), `Ulysses'/`Minstrel' (February 1973), `Oh Dear Saint Peter'/`I Am the Day' (July 1973) and `I See a Comedy'/`Lovers Alias Fools' (June 1974). Never content to be seen as just a sensitive folkie, Cardier toured with rock bands like La De Das, Country Radio, Sherbet and Daddy Cool. He also made an appearance at the 1972 Sunbury Festival, and supported overseas visitors Frank Zappa and Manfred Mann's Earth Band.



In 1974, Cardier became one of the first musicians in Australia (along with Rob MacKenzie from MacKenzie Theory and Greg Quill from Country Radio) to receive a travel grant from the Australia Council for the Arts (under the auspices of Gough Whitlam's Labor government). He travelled to England where he toured for several years, recording the Glenn Cardier album and a single `Till the Fire Dies'/`Christopher Columbus' (June 1976) for Interfusion along the way.

On his return to Australia in late 1978, Cardier recorded `Establishment Blues' under the psuedonym of Sydney Hill. The song appeared as the B-side to the Mojo Singers' #1 hit `C'mon Aussie C'mon'. Cardier's 1979 band, the Bel-Aires, comprised Brad Alick (lead guitar), Eddie Parise (bass, who later joined Baby Animals) and Vince Crae (drums). Cardier issued the single `Expectations'/`I Saved Annette from Drowning' in February 1980. He has also recorded the Christmas track `Reindeers on the Rooftops' under the alias Riff Raff.

Wednesday, 15 February 2017

P@ul Ke!!y - 2007 - Stolen @pp!es


Feelings Of Grief/God Told Me To/Stolen Apples Taste The Sweetest/Sweetest Thing/You're 39, You're Beautiful And You're Mine/The Lion And The Lamb/Right Outta My Head/Keep On Driving/The Ballad Of Queenie And Rover/The Foggy Fields Of France/Please Leave Your Light On


Paul Maurice Kelly AO (born 13 January 1955) is an Australian rock music singer-songwriter, guitarist, and harmonica player. He has performed solo, and has led numerous groups, including the Dots, the Coloured Girls, and the Messengers. He has worked with other artists and groups, including associated projects Professor Ratbaggy and Stardust Five. Kelly's music style has ranged from bluegrass to studio-oriented dub reggae, but his core output straddles folk, rock, and country. His lyrics capture the vastness of the culture and landscape of Australia by chronicling life about him for over 30 years. David Fricke from Rolling Stone calls Kelly "one of the finest songwriters I have ever heard, Australian or otherwise." Kelly has said, "Song writing is mysterious to me. I still feel like a total beginner. I don't feel like I have got it nailed yet".

Stolen Apples is the twenty fifth album by Australian singer-songwriter Paul Kelly and was released in July 2007 on EMI Music. The album is Kelly's first solo album since Ways & Means in 2004, and features religious themes throughout. It peaked at No. 8 on the ARIA Albums Chart.

Sunday, 5 February 2017

!NXS - 1984 - Dek@dance (Cassette) FLAC


Original Sin/I Send  A Message/Burn For You/Dancing On The Jetty/Love Is (What I Say)/Jackson


Dekadance is the title of two different collections of remixes by Australian rock group INXS: a 1983 four-track 12" and cassette EP released in the United States of songs from Shabooh Shoobah; and a 1984 seven-track cassette released in Australia of songs from The Swing. The latter included a cover version of "Jackson" as a duet by INXS' Michael Hutchence with Jenny Morris, their backing singer. This compilation peaked at No. 2 on the Australian Kent Music Report Albums Chart in April 1985.

The Australian cassette version of Dekadance features remixes from The Swing, and was released in six different versions. Each had a different sleeve, one for each member of the band, which were sourced from the band photo on the cover of The Swing. In following the general theme of the release, the photos themselves were "remixed" by the use of halftone (or similar) printing. Each image wraps completely around the package and is difficult to identify unless the package is dismantled and opened flat. Instead of the usual plastic hinged case, the packaging was a cardboard box that featured a flip-top opening, similar to that of a cigarette packet. The album was also available strictly for Promo use to radio stations. The LP version omitted the Jenny Morris/INXS cover version of "Jackson". It is a highly prized collector's item, as it was for promo - hence it is very scarce nowadays & finding it on LP is indeed a needle in a haystack!

Thursday, 2 February 2017

Kate Ceberano - 2008 - So Much Beauty FLAC


Suddenly I See/Live To Tell/She Will Be Loved/Avalon/So Much Beauty/ I'll Stand By You/Chasing Cars/Stars and Satellites/Play Me/ Never Say Never/Babylon/Bridge Over Troubled Water



 So Much Beauty is a studio album by Australian recording artist, Kate Ceberano. It was released on April 26, 2008 and reached #9 on the Australian charts.
Excluding the three new tracks, "So Much Beauty", "Stars and Satellites" and "Never Say Never", the remaining 9 songs are cover versions. Ceberano co-wrote all three originals; she co-wrote "Never Say Never" with Eddie Chacon of Charles and Eddie.

Ceberano recorded it in co-producer’s Steve Scanlon’s lounge room, with the aim of keeping both herself and her band relaxed.



Spy Vs. Spy - 1989 - Trash The Planet Cassette FLAC


The Hard Times/What The Future Holds/ Take It Or Leave It/Our House/Have No Fear/Clear Skies/Trash The Planet/Hooligans/Don't Fall Asleep At The Wheel/A New Start/Oceania



 Spy vs Spy, also known as v. Spy v. Spy, The Drug Grannies and The Spies, are an Australian ska/pub rock band from Sydney formed in 1981. They became known for tackling political issues through their music, including racism, homelessness and contemporary drug culture.They were named after a comic strip, "Spy vs. Spy" in the US Mad magazine.

The band's initial line-up was the trio of Craig Bloxom on bass guitar/lead vocals, Cliff Grigg on drums/percussion and Mike Weiley on lead guitar/vocals. Spy vs Spy's early music was ska-influenced indie rock, exemplified by their debut single "Do What You Say" on the independent Green label in April 1982. They released an EP Four Fresh Lemons in August. Their music became more straightforward hard rock for their pub audiences. The band broke up in early 1983 only to reform mid-year, by which time they were using the name v. Spy v. Spy to avoid legal problems with Mad magazine. They were eventually signed to Midnight Oil's label Powderworks and managed by Oils manager, Gary Morris. Their first full-length album Harry's Reasons was released in March 1986 and produced by Leszek Karski. They switched labels to WEA and had their highest charting success in February 1987 with their single "Don't Tear It Down" on the Australian singles chart and the associated album A.O. Mod. TV. Vers. peaked at No. 12 on the Australian albums chart.


Spy vs Spy's follow-up album, Xenophobia was released in March 1988 peaked at No. 15 in Australia. It was produced by Karski and Guy Gray and released by WEA in 14 countries. Their 1989 album Trash the Planet peaked at No. 22 on the ARIA Charts. None of their subsequent releases reached the Australian Top 40. The band split and reformed a number of times but still developed a strong following in Brazil.

Party Boys - 1987 - Party Boys Cassette FLAC


Hold Your Head Up/Is This The Way To Say Goodbye/He's Gonna Step On You Again/She's A Mystery/Rising Star/Gloria/Small Talk/It Could've Been You/Gonna See My Baby Tonight/High Voltage


 The Party Boys are an Australian rock supergroup with a floating membership commencing in 1982. Created by Mondo Rock's bass guitarist, Paul Christie as a part-time venture for professional musicians with downtime from their other projects, the group had temporary members from acts such as Status Quo, The Angels, Sherbet, Skyhooks, Rose Tattoo, The Choirboys, Australian Crawl, Divinyls, Models, Dragon and Swanee plus international stars including Joe Walsh, Eric Burdon, Alan Lancaster and Graham Bonnet. In March 1983 their debut album, Live at Several 21sts, peaked at No. 9 on the Australian Kent Music Report Albums Chart. In June 1987 they had a number-one hit on the related Singles Chart with a cover version of John Kongos' hit, "He's Gonna Step On You Again". It also peaked at No. 10 on the New Zealand Singles Chart.


The Party Boys is self-titled album by Australian rock band The Party Boys. It was the band's first and only studio album. Tracks 2, 4, 5 and 8 were originals, the rest of the songs were originally recorded by (in order): Argent, John Kongos, Them, The Angels, La De Da's and AC/DC, however "It Could Have Been You" was originally released by Party Boy's lead singer John Swan as a single in 1985.

Mi-Sex - 1980 - Space Race Cassette FLAC


Space Race/Pages And Matches/Living In September/I Don't Know/Slippin' Out/ It Only Hurts When I'm Laughing/People/Good Guys Always Win (Satire)/Ghosts/ Burning Up/Ice Cold Dead


  Mi-Sex (also styled as MiSex) is a New Zealand new wave rock band that was originally active from 1977 to 1986. Led by Steve Gilpin as vocalist, Kevin Stanton as guitarist and songwriter and Don Martin as bassist. They provided top ten singles, "Computer Games" in October 1979 (No. 1 in Australia, No. 5 in New Zealand) and "People" in 1980 (No. 6 and No. 3, respectively). Their first two albums both reached the New Zealand top 10, Graffiti Crimes (July 1979) and Space Race (No. 1, June 1980). They were known for their cutting edge production and dynamic live shows. Gilpin died in January 1992, two months after a serious car accident from which he never recovered.

For their second album, Space Race (June 1980), the label provided a "massive promotional campaign for which 'Are you a clone? . . . No, I'm in the Space Race' was the slogan, and little rubber mannequins of the alien featured on the front cover popped up all over the place." Ed Nimmervoll of Howlspace website felt that the album was "talking about overpopulation, environmental issues, genetic engineering and other issues of great importance for the future."


Dawkins produced the album, recording it in January 1980. In New Zealand it peaked at No. 1 and in Australia it reached No. 6. Space Race provided another top 10 single, "People", which reached No. 3 in New Zealand and No. 6 in Australia. The title track was the next single and peaked in the top 20 in New Zealand and top 30 in Australia. Although Mi-Sex toured Australia and New Zealand through 1981 – performing 366 gigs in that year – the group "found its popularity in slow decline."

Burns told The Australian Women's Weekly's Susan Moore that "When we arrived new wave was very full-on and we had pretty much a street image. Then when we did Space Race, which we felt was an extension of what we were doing, I guess some people didn't like the idea of a concept album ... we copped a lot of flack."




Deborah Conway - 1991 - White Roses (Cassette Single) FLAC


White Roses (String Of Pearls Mix)/(You Can Put Your) Shoes Under My Bed/White Roses (Album Version)/White Roses (Instrumental)


  Deborah Ann Conway, (born 8 August 1959) is an Australian rock singer-songwriter and guitarist, and had a career as a model and actress. She was a founding member of the 1980s rock band Do-Ré-Mi with their surprise top 5 hit "Man Overboard".

Conway performs solo and has a top 20 hit single with "It's Only the Beginning" (1991). The associated album, String of Pearls, also peaked in the top 20. She won the 1992 Australian Recording Industry Association (ARIA) Music Award for 'Best Female Artist'. Her next album, Bitch Epic, reached the top 20 in November 1993. Conway organised and performed on the Broad Festivals from 2005 to 2008 – show-casing contemporary Australian female artists.

"White Roses" was released on the Mushroom Label in May 1992 and charted at #87 it was taken from the platinum album "String of Pearls"



Boom Crash Opera - 1987 - Boom Crash Opera (Cassette) FLAC


Gap That Opened/Hands Up In The Air/Love Me To Death/City Flat/Her Charity/Sleeping Time/Great Wall/Bombshell/Caught Between Two Towns/Too Hot To Think


Boom Crash Opera is the first album by Australian rock band Boom Crash Opera, released in 1987. Singles released from the album include two which reached the top 20 on the Australian Kent Music Report Singles Chart, "Great Wall" and "Hands Up in the Air".

In 1986 Boom Crash Opera signed with Dirty Pool Management and WEA Records. The band recorded their first two singles in 1986 with English producer Steve Brown (ABC, The Cult and Wham!) at Platinum Studios in Melbourne. Their debut single, "Great Wall", which was released in May 1986 reached No. 5 on the (Australian) national chart. Their second single, "Hands up in the Air", followed in late July, peaking at No. 16. Following which the band toured nationally with Icehouse.


 At the ARIA Music Awards of 1987 the group were nominated for three awards: Highest Selling Single for "Great Wall", Best New Talent for both singles, and Best Video for "Hands up in the Air". At the Countdown Music and Video Awards of 1986, held in July 1987, "Great Wall" won Best Debut Single.

The label then flew the band to London to record their debut album at RAK Studios with producer, Alex Sadkin (Simply Red, Grace Jones, Talking Heads) and engineer, Will Gosling (Big Country). Both "Great Wall" and "Hands up in the Air" were remixed for their album versions. After recording the album Sadkin travelled to the Bahamas to work, where he died in a car accident in July. The self-titled album was released in September 1987, reached No. 19 on the Kent Music Report Albums Chart and went on to achieve Gold record status. It spawned a further three singles, "City Flat" (June 1987), "Her Charity" (September 1987) and "Love Me to Death (March 1988).

In an interview Farnan said "The whole idea of the album was to capture a live band feel, rather than a meticulously layered, constructed studio artist sound. We just wanted to capture a fairly live feel and wanted people feeling there were musicians playing and performing, rather than, you know, machines."

Tuesday, 24 January 2017

Debbie Byrne - 1991 - Caught In The Act FLAC


Oh, What a Beautiful Mornin'/Wouldn't It Be Loverly/Every Day A Little Death/I Dreamed a Dream/Whats The Use Of Wond'rin'/Younger Than Springtime/Edelwiess/Memory/Tell Me On A Sunday/I'll Do Anything/Medley From The King And I



Debra Anne Byrne (born 30 March 1957), formerly billed as Debbie Byrne, is an Australian pop singer, actress and entertainer. From April 1971 to March 1975 she was a founding cast member of Young Talent Time. She started her solo singing career with a cover version of "He's a Rebel" (March 1974), which peaked at No. 25 on the Go-Set Australian Singles chart. At the Logie Awards of 1974 she won Best Teenage Personality and followed with the Queen of Pop Award in October – both ceremonies were sponsored by TV Week. She repeated both wins in the following year.

As an actress Byrne appeared in the Australian musical theatre versions of Cats (July 1985 to mid-1987), Les Misérables (November 1987 to May 1988, December 1989 to June 1990) and Sunset Boulevard (October 1996 to June 1997). Her solo album, Caught in the Act (April 1991), peaked at No. 2 on the ARIA Albums Chart and was certified gold. In 2006 Byrne published her autobiography, Not Quite Ripe: A Memoir.