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Wednesday, 28 September 2016

Marty Rhone - 2010 - Born To Rock FLAC


 Born to Rock 'n' Roll/Feels Like the First Time/Missing You/Heartache Tonight/To Love Somebody/Addicted to Love/Every Breath You Take/Gimme Some Lovin'/Whatever You Want/Long Way to the Top

ENERGETIC, VIBRANT, EXCITING, PULSATING, ELECTRIFYING – Words to describe rock n’ roll? Maybe, but they are also words that encapsulate Marty Rhone’s stage performances, showing that Marty Rhone was BORN TO ROCK!

This is the show that Marty Rhone has always wanted to do. To present a concert that brings together in one sensational show a collection of the greatest rock n’ roll songs of all time and also includes his No1 chartbusters ‘Denim & Lace’ and A Mean Pair of Jeans. Songs that are guaranteed to have the audience singing and dancing in the aisles. “Every song I have chosen excites me and tells it like it is. Rock n’ roll is the most exciting music genre the world has seen.”
Audiences will hear Marty perform his hits plus those of many of the great artists he has performed with during an illustrious career. These include hits by the Bee Gees, the Rolling Stones, the Searchers, Bon Scott of ACDC plus classics from Status Quo, Fleetwood Mac, Bryan Ferry and many more.


                                                                                                 Marty with his mum Judith and dad Eddy


 Marty Rhone was born as Karel (or Karl) Lawrence van Rhoon on 7 May 1948 in Soerabaja, Dutch East Indies (later named Surabaya, Indonesia). His father was Eddy Emile van Rhoon (born Soerakarta, Central Java, 1 July 1917), a clerk and former flying navigator in the Dutch East Indies navy during World War II. His mother was Judith Olive (née Bagshaw, born Sydney, 1 January 1929). She was a singer and actress, who met Eddy through the Sydney jazz scene; he was a visiting pianist while on leave. The couple married in 1947 and Judith accompanied Eddy to Soerabaja. The family migrated to Australia on 21 April 1950 and briefly lived in Sydney and Brisbane, and then moved to Darwin. Eddy worked as a Communications Officer for the Department of Civil Aviation; he was stationed in Darwin from March 1951 until July 1957. The family remained in Darwin until mid-1960, by which time Rhone had a younger sister, Kymn Dale (born 1958) and brother, Martin Richard (born 1960).

Rhone was taught piano by his father but he preferred singing. In August 1959, aged 11, he first performed publicly at Darwin's Mitchell Street Town Hall in Around the World in 80 Minutes – a charity variety concert – alongside his father on piano and his mother. After he finished primary school, the family moved to Sydney, where he attended Crows Nest Boys High School. In mid-1961 he appeared on a talent quest segment of ATN7-TV series, Tarax Show, and was offered a singing spot on a children's show, Kaper Kabaret. In late 1965 he formed a band, The Blue Feelings, and they auditioned for an appearance on Saturday Date, a teen music show.


 After the audition Spin Records owner, Nat Kipner, signed Rhone to a recording contract and the label issued his debut single, "Nature Boy", in February the following year. For his next two singles, "Thirteen Women" (April) and "I Want You Back Again", Rhone was backed by Spin Records label mates, The Soul Agents, a beat pop group. They had formed in 1964 and by 1966 consisted of Jerry Darmic on bass guitar, Roger Felice-Andrews on drums, John Green on guitar and Barry Kelly on organ.


Marty Rhone and The Soul Agents


Rhone's fourth single, "She Is Mine", included the self-penned B-side, "Village Tapestry", which appeared in September. None of these singles charted on the Go-Set National Top 40, however Australian musicologist, Ian McFarlane, described "Village Tapestry" as being "highly regarded among 1960s aficionados". In Iain McIntyre's book, Tomorrow Is Today: Australia in the Psychedelic Era, 1966-1970 (2006), the track was listed by Ian D. Marks as one of the 'Top 7 Proto-Psychedelic Australian Tracks from 1966'. Marks described it as "completely out of left field. With a gentle, almost medieval lilt, autoharps a-strumming and a charming spoken word verse—there was nothing like this released in Australia at the time. Melodic, evocative and delicate". During 1966 Marty Rhone and The Soul Agents supported The Rolling Stones on the United Kingdom rock group's tour of Australia. They also performed on the bill of the P.J. Proby Show at the Sydney Stadium with Wayne Fontana, Eden Kane and The Bee Gees appearing.
 
 Rhone moved to Melbourne and issued five more singles on Spin Records but had "limited success". By March 1970 Rhone was conscripted for National Service until 1972. During his service he attended the Royal Military College, Duntroon, as a member of their band, for 18 months. From April 1972 to July 1973 he acted in the Australian stage version of Godspell at The Richbrooke, Sydney with Rod Dunbar, Peita Toppano and John Waters. The Australian cast soundtrack album was issued as Godspell: a Musical Based on the Gospel According to St. Matthew on His Master's Voice. He attended the Sydney Conservatorium of Music and in July 1973 he released a new single, "Goodbye in May".

He composed the music for Ruzzante Returns from the Wars, which starred Ivar Kants and ran at the Parade Theatre, Kensington from May to June 1974 as a one-act play. It is based on the text of Angelo Beolco's Il Parlamento de Ruzante, originally written in Italy during the mid-16th century.[ As a double bill at the same venue, Rhone performed the music he had composed for La Mandragola, a satirical play by another 16th century Italian, Niccolò Machiavelli. It had roles by Reg Gillam, Pamela Stephenson and Ingrid Mason. Rhone followed with appearances on TV soap operas, Number 96 (1974) and Class of '75 (1975).

 By mid-1975 Rhone had signed with M7 Records and issued his next single, "Denim and Lace", which peaked at No. 2 on the Australian Kent Music Report Singles Chart. It was promoted on the Class of '75 soundtrack album. It was co-written by L Lister (aka Jack Aranda) and F Lyons (aka Shad Lyons). Lister and Lyons also produced Rhone's debut album, Denim and Lace, recording at Alberts Studio 139. At the end of the year "Denim and Lace" was the second highest selling single in Australia. His next single, "Star Song", reached the Top 50, the next two were less successful, while the last one for the year, "On the Loose" reached the Top 40. Of the four singles, "On the Loose (Again)" – co-written by Brian Dawe and Steve Groves (ex-Tin Tin) – was used by Rhone to win the 1976 Australian Popular Song Festival. In June 1977 he had another hit with "Mean Pair of Jeans", which reached No. 11. In July that year he issued his second album, Marty Rhone.




In July 1978 Rhone relocated to London. In June the following year he took the role of Lun Tha in the London Palladium presentation of The King and I alongside Yul Brynner and Virginia McKenna. By September 1981 he had returned to Sydney.[20] In 1987 Rhone became a business manager for a trio of brothers, the Australian boxers: Dean, Guy and Troy Waters. In May 1988 Festival Records issued a ten-volume album series, Festival File, including Village Tapestry: The Festival File Volume 9 by Marty Rhone and The Soul Agents. Stuart Coupe reviewed the collection for The Canberra Times, "Never a big pop star, Marty Rhone will be remembered for a number of outstanding singles, a number of which were very advanced in style and production".

Sunday, 25 September 2016

Ariel - 1974 - A Strange Fantastic Dream FLAC


Jamaican Farewell/No Encores/Confessions Of A Psychopathic Cowpoke/And I'm Blue/Garden Of The Frenzied Cortinas/Miracle Man/Chicken Shit/Worm-Turning Blues/Wheezer Grunter Module Threadaboy/Hard Way To Go/And If It Wasn't For You/Red Hot Momma



  Ariel was an Australian progressive rock band fronted by Mike Rudd and Bill Putt, who formed the band in 1973 after the breakup of their previous group Spectrum (which also performed under the alter-ego Indelible Murtceps). The original Ariel line-up was Rudd (guitar, harmonica, vocals), Putt (bass), Tim Gaze (guitar), Nigel Macara (drums) and John Mills (keyboards). Gaze and Macara were recruited from seminal Australian progressive rock band Tamam Shud. 


The band released three studio albums and two live albums between 1973 and 1977, during which there were several line-up changes, with Rudd and Putt the only permanent members. Other members of Ariel included guitarists Harvey James and Glyn Mason and keyboard player Tony Slavich.

Their debut album A Strange Fantastic Dream, produced by Peter Dawkins was released on EMI's progressive label Harvest in December 1973 and reached No. 12 on the Australian LP charts in February 1974. It included their most successful single "Jamaican Farewell", which peaked at No. 34, its success hampered by lack of airplay, especially in Sydney, although it impressed the industry enough to win the FACB 'Single Of The Year'. According to the liner notes for the CD release of the album, there were calls to ban the LP because of its psychedelic cover artwork by Stephen Nelson, which included a figure holding a hypodermic syringe. Airplay for the LP was further hindered by the banning of three songs (the darkly satirical "Confessions Of A Psychotic Cowpoke", "Medicine Man" and "Chicken Shit") by the commercial radio industry's self-regulatory body in Australia, the FACB. Critical reception to A Strange Fantastic Dream was glowing.


The remastered re-release of A Strange Fantastic Dream was described as "extraordinary" by The Sydney Morning Herald in September 2002.

Gaze and Nigel Macara left the band abruptly after a trip to Perth in early 1973, so Rudd and Putt began work on an ambitious science-fiction themed concept work entitled The Jellabad Mutant, which they hoped to record. For rehearsals they brought in drummer John Lee (later a member of The Dingoes) who in turn brought in Harvey James, thereby establishing the second lineup of the group, which lasted until early 1975.

 Ariel recorded a full demo of The Jellabad Mutant and presented it to their label EMI, but it was rejected. On the strength of the first LP, EMI in Britain had arranged recording time for the group at their famous Abbey Road Studios in London, but the rejection of The Jellabad Mutant by EMI Australia forced Ariel to fall back on reworked material from Rudd's previous group Spectrum, supplemented by new songs hastily written by Rudd for the sessions. Despite the problems surrounding the recording, the resultant album Rock & Roll Scars (1975) is now regarded as one of the best Australian albums of the period, although it failed to make any significant commercial impression. It was mixed in the UK by Geoff Emerick, who worked on many of the later recordings by The Beatles, and produced by Peter Dawkins.

Concerning the rejection of the Jellabad Mutant project, Rudd later said:

    It's interesting to speculate what might have happened had we been allowed to proceed with the Mutant with an intact budget [EMI slashed the budget for Rock'n Roll Scars adding to the pressure] and with the time to reflect and be creative with the raw material you hear in the demos. I regret not going in to bat for it at the time. We had a fabulous opportunity with the best technical assistance any band could have wanted. But I didn't sell the dream, even to myself.
 
 After returning to Australia in early 1975 Ariel added a fifth member, singer-guitarist Glyn Mason, formally of Chain, Jeff St John & Copperwine and Home. The five-piece version of the band performed for several months but recorded only one single, although unofficial live recordings of this lineup have survived. It was during this period that Rudd introduced Dawkins to newly arrived New Zealand band Dragon. Dawkins (who had by then moved to CBS Records immediately signed Dragon and went on to produce a string of Australian hit albums and singles with them in the late 1970s.

After the expiration of their EMI contract the group signed with CBS Records for their third LP Goodnight Fiona (1976) and their only other charting single, the non-album track I'll take you high which reached No. 36 in January 1976. They made another trip to the UK in April 1976 but while there drummer John Lee left the band. He briefly joined English group Dirty Tricks and then finally rejoined The Dingoes after they relocated to America. Lee was replaced in Ariel by Nigel Macara.

Harvey James quit Ariel abruptly later in 1976 after he was invited to join leading Australian pop group Sherbet, where he replaced founding member Clive Shakespeare. James' first recording with Sherbet was their Australian No. 1 and UK Top 5 hit "Howzat". James was replaced in Ariel by keyboard player Tony Slavich.

Macara left again in October 1976 and was replaced by another former Richard Clapton Band member, Iain McLennan. The single "Disco Dilemma" was released in April 1977, just before expiration of their CBS contract, after which they signed to local independent label Image Records. They recorded the single "It's Only Love" for their new label; the song featured lead vocals from its writer Glyn Mason.

Ariel announced its breakup in July 1977 and, just before their CBS contract expired, the "Island Fantasy" themed farewell concert was staged on Sunday 21 August 1977 at the Dallas Brooks Hall in Melbourne. The show was recorded and released over the two albums Ariel Aloha (Oct 1977) and Live - More From Before (1978). These two albums were subsequently reissued in 1980 as Ariel Live In Concert.




Ariel formed in mid-1973, after the breakup of Spectrum. When Spectrum drummer Ray Arnott announced he was leaving to join Ross Wilson's new band Mighty Kong, Putt and Rudd commendably decided to end the band rather than try to recruit a new member, feeling that it wouldn't be possible to recreate the special spirit of that group. Within a few months of Spectrums's farewell performance their new band (whose name was taken from the character in Shakespeare's "The Tempest") was up and running. Ironically, the two new members, Tim and Nigel, had originally come to Melbourne to work with Ross Wilson and Ross Hannaford on their new project (which became Mighty Kong) and it was after they departed that Wilson asked Ray Arnott to join, thus precipitating the split of Spectrum!

Strong record company interest in Ariel quickly led to a contract with EMI's progressive Harvest imprint. Their superb debut single "Jamaican Farewell" looked set to repeat the early success of Spectrum but it only managed to reach No.34, its success hampered by lack of airplay, especially in Sydney, although it impressed the industry enough to win the FACB 'Single Of The Year'. They toured as support to Gary Glitter November 1973 and released their excellent first LP A Strange Fantastic Dream in December, with writing credits split fairly evenly between Gaze and Rudd. According to Noel McGrath, the album was also the first use of Moog synthesizer on an Australian rock record (though it's possible Tully may have been the first Australian band to recod with one) and producer Peter Dawkins still names it as one of his favourite productions.

 It fared well commercially and critically, reaching #12 in the LP charts in February 1974, although there was a minor controversy about Stephen Nelson's brilliant, hallucinatory cover painting, which included (shock! horror!) a hypodermic syringe. Airplay for the LP was further hindered by the banning of three songs ("Confessions Of A Psychotic Cowpoke", "Medicine Man" and "Chicken Shit") by the commercial radio industry's self-regulatory body, the FACB.

One particularly important outcome for the group was that EMI International's President, Allan Davies, fell in love with the album: "You know, Peter," he enthused to Dawkins, "I can't recall ever hearing a song about necrophilia!" Renowned British DJ John Peel also picked up both album and single and "said some really nice things about both of them". These and other factors led to Ariel being invited to tour the UK and record their next album at Abbey Road.




Thursday, 22 September 2016

Richard Clapton - 1995 - Angeltown FLAC


Dixieland/My Minds Eye/That Moon/Stay With Me/Howl/Paris/Turn My Heart Around/Shine A Light/The Devil In Disguise/Angeltown/Real Life



   Australian singer/songwriter Richard Clapton played with several bands during the late '60s and '70s as he traveled across Europe before returning to Australia in 1972 to begin his solo career.

His debut single, "Last Train to Marseilles," released in October 1972, was not commercially successful and he joined the jazz-rock band Sun for a six-week stint. His debut album, Prussian Blue, was released in November 1973, but his first chart success was with the single "Girls on the Avenue," which reached number two nationally in March 1975. He released the Girls on the Avenue album followed by the album Main Street Jive in July 1976. A European tour followed at the end of the year. Clapton's contribution to the 1977 Highway One soundtrack album, "Capricorn Dancer," peaked at number 20.

Clapton's third album, Goodbye Tiger, was released in August 1977 and is considered one of his finest works. It peaked at number five nationally during November. The next year was spent touring and recording in Los Angeles. Two tracks from the American sessions, "Steppin' Across the Line" and "When the Heat's Off," appeared on the compilation album Past Hits and Previews, released in November 1978. Clapton's American-recorded album Hearts on the Nightline peaked at number 17 and kicked off a national tour. Dark Spaces was released in 1980 and was dedicated to his rhythm guitarist, Andrew Durant, who died in June. Clapton sang three tracks on the Andrew Durant Memorial Concert album of 1981.

A new record deal with WEA in 1982 produced The Great Escape, which peaked at number seven in March. The single, "I Am an Island," peaked at number 20 while the compilation album, The Very Best of Richard Clapton, peaked at number 15 during the same time. Another national tour followed which included bassist Garry Gary Beers and drummer Jon Farriss from INXS as part of his backing band; an association that began when Clapton produced their 1981 album, Underneath the Colours. In 1983, Clapton joined the Party Boys for a short time and appeared on their Greatest Hits (of Other People) album. In 1984, Clapton released his next solo album, Solidarity, and again toured the country. Glory Road followed in 1987, produced by Jon Farriss in return for Clapton's work on Underneath the Colours.

In September 1989, The Best Years of Our Lives, a live album recorded on April 16, 1989, was issued. The next four years were spent undergoing contractual difficulties until Clapton signed a five-album deal with Sony. Between record deals, Clapton remained popular on the touring circuit and went on to release Distant Thunder in 1993 and Angeltown in 1996.

In 1983, Clapton joined The Party Boys, taking over lead vocals from James Reyne (Australian Crawl), the live album Greatest Hits (Of Other People) and a single, "I Fought the Law"—a cover of the Sonny Curtis song—resulted from an extensive tour of the east coast of Australia. Clapton left the band to re-focus on his solo career and handed over vocals to Shirley Strachan (ex-Skyhooks).

In September 1984, Clapton released Solidarity on Mushroom Records which was produced by Opitz, Ricky Fataar, Tim Kramer and Moffatt. For the album he used Graham Bidstrup on drums (ex-The Angels, The Party Boys), James Black on keyboards (ex-Mondo Rock), Kevin Borich on guitar (ex-La De Das, The Party Boys), Fataar on drums, Allan Mansfield on keyboards (Dragon), Graham Thompson on bass guitar (ex-Stars), and backing vocals from Mary Bradfield, Venetta Fields and Mark Williams. Clapton and Borich released the duet single, "Spirit of Sydney" in 1986.


Clapton rejoined WEA in 1987 for his next album, Glory Road, released in October, and its three singles, which were produced by Jon Farriss of INXS as a return favour for the production of Underneath the Colours. A live album, The Best Years of Our Lives was recorded on 16 April 1989 and released in September. His band were Hegerty, Lorange, Moffatt on guitar, Jeff Bartolomei on keyboards, Ben Butler on guitar, and Steve Sowerby on drums. The album peaked in the top 30 on the Australian Recording Industry Association (ARIA) Albums Chart.
Later years

Clapton was without a recording contract for four years from 1989 and had a few changes of his management until he signed with Sony Music/Columbia Records for the release of Distant Thunder in May 1993. The album spawned four singles and was produced by Clapton. It charted in the top 40 but no single reached the top 50 on ARIA's Singles Chart. His second album for Sony, Angeltown appeared in May 1996 with a single, "Dixieland" in March—neither appeared in their respective top 50 charts. In September 1999, Clapton released a compilation album, "Definitive Anthology", which peaked in the top 30. He was inducted into the ARIA Hall of Fame on 12 October.

Clapton spent four years writing and recording the album, Diamond Mine, at his home studio, a process he described as the most creatively liberating experience of his recording career. It was released in May 2004—eight years after his previous studio album—but did not chart. On his 2006 album, Rewired, also recorded in the home studio, Clapton provided "unplugged" acoustic versions of his early songs.


In 2008, on Australia Day (26 January) Clapton appeared in a performance held at Parliament House, Canberra. To celebrate 35 years of recording, Clapton held a one off concert at the Sydney State Theatre on 28 June. The event was sold out in days and featured a line-up of Australian musicians who had played with him including Jon Farriss from INXS. The performance was recorded for Live at the State Theatre released in October.

 Clapton decided to showcase his pivotal 1977 album Goodbye Tiger at the same venue in September 2009. The first concert sold out in less than an hour and a second was added. The entire album was performed as well as an eclectic mix of old and new songs played in the second set. On the second night Clapton and band were joined by Moss (Cold Chisel) who played a rendition of "I Am an Island". Clapton inducted one of his favourite bands, The Dingoes into the ARIA Hall Of Fame on 29 August. Clapton's portrait by Alexander McKenzie was a finalist in the 2009 Archibald Prize. In October 2010, Goodbye Tiger was listed at No. 15 in the book, 100 Best Australian Albums.

In August 2012 Clapton's first studio album in eight years, Harlequin Nights, was issued on his own label and distributed by MGM. He was assisted on the album by Danny Spencer on guitar, who also co-wrote some tracks. The Australian's reviewer noted that Clapton "hasn't lost his touch as a songwriter" as the album "veers between the heady optimism of opening track 'Sunny Side Up' and the poignant autumnal reflection of the beautiful 'Blue Skies'" while Clapton is a "troubadour buffeted by uncertain winds and still searching for answers in songs such as the epic 'Vapour Trails' but pushing on regardless in the folksy 'Run Like a River'".





Wednesday, 21 September 2016

Sherbet - 1975 - Life Is For Living FLAC


Arrival/Survival/Life/I Wanna' Live/Only One You/Matter Of Time/Just Being You/Bluesong/I've Been In It Too Long/Where Do We Go/Survival - Reprise


 Life... Is For Living is the fourth album released by Sherbet released in 1975. Life is for living was a very interesting album because various members did lead vocal, Tony Mitchell takes lead vocals on "Bluesong" while Garth Porter takes over on "Matter Of Time" there were also a couple of instrumental tracks. Life... Is for Living reached #6 on the Australian charts.

Sunday, 18 September 2016

The Seekers - 1976 - Giving And Taking FLA C


Friends/The Rose And The Briar/Giving And Taking/A Part Of You/Country Lanes/Country Rose/Holding On/If I Could Write A Fairy Tale/A Finer Country Day/Standing On Shaky Ground/Where In The World



Around 1972 Bruce Woodley,Keith Potger and Athol Guy began planning a new version of the of the Seekers and they were looking for a replacement for Judith Durham, friend Buddy England suggested Louisa Wisseling and so Seekers II were born . Against the odds, the Seekers jumped straight back into the Australian charts with Woodley's "Sparrow Song" #2 in June 1975 and the album The Seekers #17 in July. In September 1975, they undertook a national tour and released three subsequent singles: "Reunion" (October), "Where in the World?" (April 1976) and "Giving and Taking" (June '76)."Giving and Taking" was lifted from the album of the same name.
Bruce Woodley left in June 1977 to concentrate on songwriting and production, at which point Buddy took over, remaining with them until the group split again. Athol quit in 1978, replaced by another veteran of the Melbourne '60s scene, Peter Robinson (ex The Thunderbirds, The Strangers). This version of The Seekers released one album, "All Over the World" in November 1978, then in 1980 they released " A Little Bit of Country"  with Cheryl Webb replacing Wisseling they continued performing in Australia and overseas until 1981 when they called it a day once again. They would reform again of and on right up until the present.

The album "Giving and Taking" is quite a good album from the opening track "Friends" to the closing "Where in the World" every song a winner while Louisa Wisseling is no Judith Durham she is a fine replacement. My faves are "The Rose And The Briar", "Country Lanes",
"Country Rose" and "Standing On Shaky Ground". Most of the songs were written by Bruce Woodley or co-written by Bruce and John Farrar former member of the Strangers and one time Shadow. There is also a song there from the brothers Gibb and one by Keith Potger.

Tuesday, 13 September 2016

Glenn Shorrock - 1996 - The First Twenty Years FLAC


Disc One

The Twilights - Needle in a Haystack/Bad Boy/If She Finds Out/9.50/Young Girl/What's Wrong With the Way I Live?/Cathy Come Home/My Gneration (live)/Axiom - Ford's Bridge/Fool's Gold/Arkansas Grass/A Little Ray of Sunshine/My Baby's Gone/Glenn Shorrock - Rock 'n' Roll Lullaby/Let's Get the Band Together/Statue of Liberty/ Little River Band - Seine City/When Will I Be Loved?

Disc Two

Little River Band - Cool Change/Home On a Monday/Shut Down, Turn Off/Help Is on Its Way/Man on Your Mind/Long Jumping Jeweller/Goin' Back (with Renée Geyer)/We're Coming To Get You (with The Bushwackers)/Glenn Shorrock - Paperback Writer/Dream Lover/Restless/Don't Girls Get Lonely?/Big Smoke/Will You Stand With Me?/The Duchess Is Returning/Rock 'n' Roll Soldier



Glenn Barrie Shorrock (born 30 June 1944) is an English-born Australian singer-songwriter. He was a founding member of pop groups The Twilights, Axiom, Little River Band, and post LRB spin-off trio Birtles Shorrock Goble, as well as being a solo performer.

The Twilights had eight consecutive national hit singles including "Needle in a Haystack" and "What's Wrong with the Way I Live". Axiom's top 10 hits were "Arkansas Grass", "Little Ray of Sunshine" and "My Baby's Gone". Little River Band had national and international chart success, including the Shorrock-penned "Emma", "Help Is on Its Way" and "Cool Change".

Shorrock was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame as a solo artist in 1991 and as a member of Little River Band in 2004. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Cool Change" as one of the APRA Top 30 Australian songs of all time.

Glenn Barrie Shorrock was born on 30 June 1944 in Chatham, Kent, England. His family migrated to Adelaide, South Australia on the Orcades in August 1954 when he was ten. His father, Harry Shorrock was a Yorkshire-born fitter and turner at the Weapons Research Establishment in Salisbury. The 1954–55 summer had days of 42 °C (108 °F) and Black Sunday bushfires ravaged the Adelaide Hills in January 1955. His London-born mother Joyce Shorrock was not impressed with Australia, and she took Shorrock and his younger sister back to UK on the Strathmore, only to return to Australia on the "Fairsea" for a second attempt in 1956. The family settled in Elizabeth 20 km (12 mi) north of Adelaide.

Shorrock's first public performance took place in 1958 in a Lutheran church hall—he was miming to Elvis Presley's "All Shook Up" on a gramophone and strumming on a cardboard guitar when the player stopped—he was forced to continue singing by himself and realised he had a good voice.


 Glenn ,Frank Barnard,Peter Brideoak,Terry Britten,Clem "Paddy" McCartney and John Bywaters

In 1962, Shorrock formed his first band, The Checkmates, with Clem McCartney, Mike Sykes and Billy Volraat. They were a doo wop harmony group covering The Platters and The Crew Cuts material. Sometimes teaming up with instrumental groups The Vector Men or The Hurricanes, The Checkmates performed in Adelaide cafes and folk clubs. As a result of The Beatles' popularity, members of The Checkmates and The Hurricanes merged to form The Twilights in 1964.




 In 1964 Shorrock, with McCartney as co-lead vocalist, formed The Twilights by merging with The Hurricanes' Frank Barnard on drums, Peter Brideoake on guitar, Terry Britten on guitar and John Bywaters on bass guitar. Their debut single, "I'll Be Where You Are", co-written by Shorrock and Britten, was released in June 1965. The band had eight consecutive hit singles including covers of The Velvelettes' "Needle in a Haystack" and The Hollies' "What's Wrong with the Way I Live" (recorded at Abbey Road Studios in London). With two lead singers, two guitarists and five vocalists, the Twilights performed note-perfect covers of pop-rock songs and were famed for their live prowess. They relocated to Melbourne late in 1965 and were popular with teenage audiences and respected by fellow musicians. In July 1966, they won Hoadley's Battle of the Sounds with the prize including a trip to London. In 1967, shortly after returning from London, the group regularly performed the entire Sgt Pepper's album live in sequence, weeks before it was released in Australia. Shorrock married Sue, while he was a member of The Twilights. The Twilights disbanded in January 1969 and Shorrock became band manager for Brisbane pop group, The Avengers.

In May 1969 in Melbourne, Shorrock formed an early Australian 'supergroup', Axiom, with Brian Cadd on keyboards and vocals, Don Mudie on bass (both ex-The Groop), Doug Lavery (The Valentines) on drums and Chris Stockley (Cam-Pact) on guitar. They recorded two highly acclaimed albums, Fool's Gold and If Only...; and had three top 10 singles, "Arkansas Grass", "Little Ray of Sunshine" and "My Baby's Gone" on the Go-Set national charts. Axiom travelled to UK but disbanded there in March 1971.

Shorrock remained in the UK to pursue his solo career, he signed with MAM Records and released the self-penned "Let's Get the Band Together" single in October 1971. This was followed by a cover of "Rock'n'Roll Lullaby" (written by Barry Mann and Cynthia Weil) in March 1972. As Andre L'Escargot and His Society Syncopaters, he released "Purple Umbrella" with his backing band being Quartet members Britten, Kevin Peek, Trevor Spencer and Alan Tarney. He joined the multinational progressive rock band Esperanto, which released their debut album Esperanto Rock Orchestra in 1973 with the Shorrock written track "Statue of Liberty". He left Esperanto before their third album was released in 1974 and performed backing vocals for Cliff Richard.

                                                                             Glenn and Janice Slater during the Esperanto days.

 Mississippi was an Australian rock band which was working in UK with Beeb Birtles on vocals and guitar, Graham Goble (later Graeham Goble) on guitar and vocals and Derek Pellicci on drums. They contacted Glenn Wheatley (former bass guitarist for The Masters Apprentices) to become their manager. Birtles, previously in Adelaide band Zoot, called Shorrock to take part in the line up. Shorrock returned to Australia in October 1974 and joined Mississippi in January 1975 in Melbourne. They were soon renamed as Little River Band with the original line up of Birtles, Goble, Pellicci, Shorrock and lead guitarist Ric Formosa and bassist Roger McLachlan. The group went on to become one of the most successful bands ever to come out of Australia, and the first to achieve major commercial success in the United States. For Little River Band, Shorrock wrote the hits "Emma", "Help Is on Its Way" (Australian No. 1) and "Cool Change".

LITTLE RIVER BAND, Original Line-up (1975)
L-R Glenn Shorrock, Beeb Birtles, Derek Pellicci, Ric Formosa, Roger McLachlan, Graeham Goble


While still a member of Little River Band, Shorrock released a solo single, a cover of Bobby Darin's 1959 hit "Dream Lover" in April 1979 on EMI, which peaked at No. 8 on the Kent Music Report Singles Chart. In February 1982, Shorrock left Little River Band and was replaced by former 1960s pop singer, John Farnham who was managed by Wheatley. Shorrock returned to Little River Band in 1988 but, despite several quality albums, they did not regain the earlier stellar recognition. He left again in 1991 leaving the naming rights with guitarist Stephen Housden. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Cool Change", as one of the Top 30 Australian songs of all time.
Later solo career

In 1982 Shorrock released a solo album Villain of the Peace and a single, "Rock and Roll Soldier" on Capitol Records recorded in Los Angeles with John Boylan (Charlie Daniels, Little River Band) producing. "Rock and Roll Soldier" reached the Australian top 40 in November but he did not achieve the international success attained with Little River Band. Late in 1982 he toured Australia and then teamed with Renée Geyer to release a duet, "Goin' Back" on Mushroom Records in February 1983. One of his backing singers was Wendy Matthews who had been a session singer in Los Angeles. "We're Coming to Get You", which peaked at No. 6 in October, was recorded with folk group, The Bushwackers it was the theme for the film, We're Coming to Get You. He released "Don't Girls Get Lonely?" in November. In 1984, he recorded "Restless" for the documentary World Safari II: The Final Adventure.

 In 1985, Shorrock released The First Twenty Years, which was a double-LP album compilation of his career work with tracks by The Twilights, Axiom, Little River Band and solo work. He was compere of Australian Broadcasting Corporation (ABC) TV music series, Rock Arena in 1986 and as a breakfast announcer for radio station Magic 11 in Sydney. His solo single, "American Flyers" appeared in July. He performed on the tour of stage show One for the Money in 1986–87. He appeared in other stage shows including his own showcase productions Go Cat Go (1990–91) and Two Up (1996).

On 25 March 1991, Shorrock was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame, alongside contemporary rocker Billy Thorpe, bass-baritone Peter Dawson and jazz musician Don Burrows. In 1993, he re-joined with Axiom band mate, Brian Cadd, to record Blazing Salads and three singles for Blue Martin Records, and a subsequent two-year tour. On tour Shorrock played his hit songs, along with those of Axiom accompanied by Cadd and a backing band of Rex Goh on guitar (ex-Air Supply), Kirk Lorange on guitar (Richard Clapton Band) and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band).

Long Way to the Top was a 2001 ABC TV six-part documentary on the history of Australian rock and roll from 1956 to the modern era Shorrock provided interviews, "In Awe of The Beatles", "Being Pop Stars" and "Coming from the UK", on his early years with The Twilights. Long Way to the Top Tour followed in August–September 2002 with Shorrock appearing with The Twilights in the first set performing "What's Wrong with the Way I Live?" and "Needle in a Haystack"; he returned in the second set with Axiom to perform "Arkansas Grass" and "Little Ray of Sunshine".


In 2002 Shorrock reunited with other Little River Band founders Beeb Birtles and Graeham Goble to form Birtles Shorrock Goble. On 17 October 2004, the 1970s members of Little River Band: Birtles, David Briggs, Goble, George McArdle, Derek Pellicci and Shorrock, were inducted into the ARIA Hall of Fame. The later members including fellow Australian, John Farnham, and US-based musicians, were not included in this induction. Due to a 2002 legal ruling on their right to use the band's name—a non-performing member holds the trademark—they performed "Help Is on the Way" as the Classic Lineup of Little River Band. Birtles Shorrock Goble recorded a successful DVD and CD, Full Circle (2005) and toured until 2007. In August–September, the trio played a medley of Little River Band hits at the Countdown Spectacular 2 concert series.

In 2005 Shorrock also undertook his career-spanning The Reminiscing Tour – Glenn Shorrock & Friends with invited guest singers including Doug Parkinson and Wendy Matthews. In May–June 2006, he partnered actress Judy Nunn on the first season of reality TV singing competition, It Takes Two, they were voted off after week three. His first solo CD for seven years, Meanwhile, which contains acoustic versions of his career hits was released in 2007 on the Liberation Blue label. He performed The Beatles tribute show Let It Be with Parkinson, Sharon O'Neill and Mark Williams.


In 2008 Shorrock toured with the musical Shout! The Legend of the Wild One, based on the life of Australian rocker Johnny O'Keefe. In July 2010, Shorrock performed a retrospective of his 45 years in the music industry. Currently Glenn Shorrock continues to tour Australia performing for public and private events in Australia and promotes new local music artists. In early 2013 Glenn and his band were headlining performers in Macau, New York and London for the media launch of the Titanic II project. This was at the personal invitation of Australian entrepreneur Clive Palmer.

In October 2014, Glenn Shorrock was inducted into the South Australian Music Hall Of Fame alongside Bon Scott's former band Fraternity, Chris Finnen and David 'Daisy' Day.

MP3 LINK

Monday, 12 September 2016

Brian Cadd - 1975 - The Magic Of Brian Cadd FLAC


Show Me The Way/Silver City Birthday Celebration Day/Class of '74/Sometime Man/ Spring Hill County Breakdown/Every Mothers Son/Handyman/Josie McGinty/Keep On Rockin'/ Ginger Man/Kingston River Travellin' Man/All In The Way (They Use My Face)/Alvin Purple/Let Go/Think It Over

Please note Password for this one is ajh

Brian George Cadd (born 29 November 1946, Perth, Western Australia) is an Australian singer-songwriter, keyboardist, producer and record label founder, a staple of Australian entertainment for over 50 years, he has performed as a member of The Groop, Axiom, Flying Burrito Brothers and solo. He was briefly called Brian Caine in late 1966, when first joining The Groop.

Cadd produced fellow Australian acts Robin Jolley, Ronnie Burns, Broderick Smith, Tina Arena and Glenn Shorrock and established his own record label called Bootleg Records. He also composed or performed music for films, Alvin Purple, Alvin Purple Rides Again, Fatal Vision, The Return of the Living Dead, Vampires on Bikini Beach, Morning of the Earth and The Heartbreak Kid and for television Class of 74, The Midnight Special and Don Kirshner's Rock Concert. His songwriting for other acts includes The Masters Apprentices, The Bootleg Family Band, Ronnie Burns, The Pointer Sisters, Little River Band and John Farnham.

In 1972 Cadd turned to producing other acts and recording solo material on his own Bootleg Records label which was set up under Ron Tudor's Fable Records. "Ginger Man" was the first single from Cadd's self-titled debut album, released in November 1972 on Bootleg Records. Bootleg was based along similar lines to US pianist Leon Russell's Shelter Records – signed artists recorded and toured together as a The Bootleg Family Band. Studio musicians used by Cadd became the Bootleg Family Band and had their own hit single by covering Loggins and Messina's "Your Mama Don't Dance", where Cadd provided lead vocals. Cadd also won the composer's section of Hoadley's Battle of the Sounds for 1972 with his song, "Don't You Know It's Magic", this became a top 20 hit for John Farnham (known then as "Johnny" Farnham).[ The song also won the 'Most Outstanding Composition' award at the Tokyo World Popular Song Festival, with Cadd performing there live. Cadd released a second album, Parabrahm, in 1973, and followed with the theme song and score for the 1973 movie Alvin Purple (Australia's first R-rated comedy) and its sequel Alvin Purple Rides Again in 1975. After releasing his third solo album, Moonshine in 1974, Cadd left Australia for the US.

  Based in Los Angeles, Cadd became a studio-bound songwriter, apart from one tour with The Bootleg Family Band. Early in 1980, Brian toured France with the legendary French 'Elvis', Johnny Hallyday. Cadd recorded solo albums for Interfusion, his songs were also recorded by Gene Pitney, Glen Campbell, Dobie Gray, Cilla Black, Wayne Newton, Bonnie Tyler, Joe Cocker and Ringo Starr. His biggest success occurred when The Pointer Sisters covered "Love is Like a Rolling Stone" as a B-side for their version of "Fire" which reached No. 2 on the US Pop single charts. Cadd travelled to Nashville in 1989, joined the Flying Burrito Brothers in 1991 and toured with them for two years, returning to Australia in 1993. In Australia he teamed up with fellow Axiom member, Shorrock for an album The Blazing Salads and a subsequent two-year tour. On tour Cadd played his hit songs, along with those of Axiom accompanied by Shorrock. Veteran rocker Max Merritt had also toured Australia with Cadd.


                                                                                          Brian Cadd and Glenn Shorrock                 

Returning to Australia, Cadd is based on Queensland's Gold Coast, and has been active in teaching and lecturing on songwriting, in music publishing and other various aspects of the industry in Australia and the United States. In 1997, he built a recording studio Ginger Man Sound. In March 1998 he took over as CEO of The Streetwise Music Group in Brisbane, eventually becoming a co-owner. The company, which is distributed through Warner Music, now has some 20 acts spread over three labels             (Streetwise, Stallion and Belly Laugh).                              

Cadd is the chairman of the Music Industry Advisory Council (Australia), President of the Australian Music Foundation[ and on the board of the musicians' benevolent organisation, Support Act. Cadd lectures at universities as well as continuing to record and perform, he independently released an album of new material Quietly Rusting in 2005

In 2007 Cadd was inducted into the ARIA Hall of Fame.
featuring musicians like Mark Meyer, Tony Naylor, Wilbur Wilde and Ross Hannaford together with some of Australia's hottest new players including Paul White, Damien Steele-Scott and James Meston.


Sunday, 11 September 2016

The Atlantics - 1989 - Legendary JRA-Ramrod Sessions


Whirpool/Girl Can't Help It/Pretty Thing/You Can't Judge a Book By It's Cover/Why Do You Treat Me Like You Do/It's a Hard Life/I Put a Spell on You/By the Glow of a Candle/You Tell Me Why/Come On/Waiting Here for Someone/ That Loving Feeling/Take a Trip / Flowers/When I Look into My Life/A Girl Like You/Baby Blue/I'll Never Let You Go/I Just Can't Help Believing/ight Shades of Dark Pt. One



Formed in the southern beachside suburbs of Sydney, Australia in 1961, the group began performing locally, and soon gained a following. Contrary to the accepted surfing connotations of their name they actually took their name from a local brand of petrol, Atlantic. In early 1962 they appeared on a local television talent show New Faces, where they were voted "Most Promising Group of 1962." They signed a deal with booking agent Joan King, who convinced the members to quit their day jobs and produce a demo, which she shopped to a variety of record labels. After several rejections, they were signed to CBS Records in 1963. The A&R representative for CBS, Sven Libaek, was especially impressed by the group's original compositions. Most Australian instrumental rock bands at the time merely aped and covered material from The Shadows or, to a lesser extent, The Ventures. The Atlantics had the advantage of having twin lead guitarists, both highly proficient on solo work and both capable of pushing the band along with a driving rhythm. It was this, together with the band members' European cultural influences (largely Greek with some Yugoslav and Hungarian - all members came to Australia as child migrants) that gave their music that passionate edge over other local bands of their day.

 In February 1963, CBS released the first single, "Moon Man" b/w "Dark Eyes". "Moon Man" was an original song written by Peter Hood, and "Dark Eyes" was a traditional tune reinterpreted by the band. While the single was not a hit, it did gain enough attention for CBS to agree to continue to support the group.

By this time the surfing music craze had reached Australia's shores and a host of local bands such as The Statesmen, Jimmy D & the Starlighters (a.k.a. Jimmy D & the Jaguars), The Midnighters, The Telstars, Dave Bridge Trio, The Joy Boys and The Denvermen were all releasing surfing titled instrumental tracks, and in particular, The Denvermen's evocative ballad "Surfside", which had topped Australia's charts in February 1963.

In July 1963 The Atlantics released the single that would become their biggest hit, most well-known song and one which remains a classic of its genre to this day. The monstrous, pounding, driving "Bombora" was written by Peter and Jim and was named after an Aboriginal term for large waves breaking over submerged rock shelves. The B-side was the old traditional English song "Greensleeves". By September 1963, "Bombora" had climbed the Australian charts to reach No 1. It was released in Japan, Italy, Holland, England and New Zealand and in South America. It was nominated as record of the week by US Cashbox magazine and reached No 2 on the Italian charts (where there was even a vocal version released). As well the song was covered by a number of overseas bands. This overseas success made The Atlantics Australia’s first internationally recognized rock act. October 1963 saw the release of their first LP album, predictably named Bombora. They were to release three more albums from 1963 to 1965. On stage the band maintained their reputation at concerts and beachside surf clubs with an exciting, pounding sound combined with a stage act that included them all playing their guitars behind their heads and Theo and Jim on opposite sides of the stage swapping lead lines with one another.

In November 1963 they released the follow-up, another similar thundering surf instrumental, "The Crusher" which, while not quite as successful as Bombora, still made a respectable dent in the Australian charts.

 Their fourth single, "War of the Worlds" however was a total break with the surf sound. Released in March 1964, it was unlike any other of their tracks, or indeed any other instrumentals of the day. A bold and ambitious attempt at a mini Sci-Fi space opera, it had a dramatic buildup intro, tempo changes and dynamic changes. It was way ahead of its time. It featured a battle in space using echo and guitar effects, the like of which would not be heard until Hendrix came along some years later. Disappointingly for the band, many DJ's refused to play it and it failed to make most charts.

By this time The Beatles and the Merseybeat sound had arrived and instrumentals were becoming rather passe. The Atlantics continued to release a number of instrumental singles with titles such as "Rumble and Run" and "Giant" until July 1965. However none of these achieved any commercial success, and did not chart. Their record contract with CBS ended. During 1965 they undertook a far-Eastern tour including Japan.

In 1965, the band members reinvented themselves. They set up their own production company JRA productions. They exchanged their suits and thin ties for casual shirts, T-shirts and jeans and grew their hair long, guitarist Theo Penglis switched to keyboards and they added a vocalist, Johnny Rebb. Johnny Rebb had been a rock star in Australia in his own right in the late 1950s. Indeed he had at one time been known as the "Gentleman of Rock". With Johnny on vocals they proceeded to release a number of tough sounding singles starting with a hard rockin' revival of Little Richard's "The Girl Can't Help It" and Bo Diddley's, R 'n B, "You Can't Judge A Book By Its Cover". 

 They recorded songs with a variety of styles between 1965 and 1970 including a cover of The Beau Brummels' top 40 hit "You Tell Me Why" with 12 string guitar hook & harmonies, and an instrumental, "Take A Trip," under the pseudonym band name as The Gift of Love. However they only succeeded chart-wise with an excellent version of Screaming Jay Hawkins "I Put A Spell On You", which reached No. 29 on the Sydney charts in 1966. In 1967 they put out the song that is now widely regarded as a classic punk/garage track, Peter Hood's "Come On". During this time Johnny Rebb continued to release a number of singles under his own name with The Atlantics backing him. 

 They also provided backing on a string of singles for Russ Kruger, Johnny Rebb's brother, and female singer Kelly Green. It was during this time that The Atlantics started their own independent label, Ramrod. They were one of the first Australian bands to set up their own independent label. From September 1967 all their recordings and all those for the above artists were released on their Ramrod label. As well they put out recordings by other bands such as The Motivation.

Christie Allen - 1979 - Magic Rhythm


Magic Rhythm/All Australian Female/Only Yes Will Do/Goose Bumps/Falling In Love With Only You/He's My Number One/Count Me Out/Fallin' In Luv/You Know That I Love You/Ships That Pass Through The Night

 
Christie Allen was born as June Allen on 24 July 1954 in the United Kingdom. Allen's father is Keith Allen and her mother is Vera Allen, her brothers are Keith, Stephen and Mark. At the age of eight years, Allen performed in a talent quest, singing "My Johnny's Gone Away". In 1965, the Allen family migrated to Australia and settled in Perth. Allen and her brothers formed a band, Pendulum, where she provided lead vocals.

Whilst performing with Pendulum, Allen contacted UK-born Terry Britten, a songwriter and record producer. According to an interview she gave on Sounds she virtually knocked on his door. In the mid-1960s Britten was the lead guitarist of Australian rock group, The Twilights, He had worked with Cliff Richard for whom he co-wrote "Devil Woman" (1976) with Kristine Holmes. After working with Richard, Britten was living and working in Australia, when he was impressed by Allen's vocal ability and bubbly personality, and began songwriting for her. Allen signed a recording contract with Mushroom Records. In September 1978 she released her first single "You Know That I Love You", which reached the top 100 on the Australian Kent Music Report Singles Chart, and attracted some national radio airplay and positive reviews. 

 Her next three singles from her debut album, Magic Rhythm (November 1979), were top 20 hits. Aside from co-writing most of the tracks with B. A. Robertson, Britten also produced Magic Rhythm for Mushroom Records. The first single was a ballad, "Falling in Love with only You", which reached No. 20 in April 1979. Her next two singles were strongly influenced by the popular disco style – "Goosebumps", which reached No. 3 in September 1979, and "He's My Number One", which peaked at No. 4 in February 1980. "Goosebumps" was Allen's greatest success, with sales of 60,000, and was one of Mushroom Record's highest selling singles at that time. Allen toured Australia backed by The Hot Band, which was composed of Max Chazan on guitar (Rubes), Greg Cook on guitar (ex-Cam-Pact, The Mixtures, Ram Band, Mondo Rock), Bruce Haymes on organ (Rubes, Richard Clapton Band), Michael Hegerty on bass guitar (Richard Clapton Band), and Rick Puchala on drums (Richard Clapton Band); and later Yuri Worontschak on keyboards: Yamaha CP70B and Mini Moog (ex Spitfire). 


Allen was voted the 'Most Popular Female Performer' at the TV Week / Countdown Music Awards for 1979 and 1980. At the 1979 awards ceremony, broadcast by Countdown on 19 April 1980, Allen performed, "He's My Number One". At the same ceremony, Britten won the 'Best Songwriter' award for "Goosebumps". Allen won the 1980 award for 'Most Popular Female Performer', broadcast on 22 March 1981, against nominees, Annalise Morrow of The Numbers and Lynda Nutter of The Dugites. 

Besides performing, Allen also appeared on Countdown as a guest host: in November 1979 with Russell Hitchcock (Air Supply), and in April 1980 with Molly Meldrum. In the early 1980s Allen supplied the voice over and sang the jingle 'Come Tarino with Me' for Tarino orange soft drink commercials. In 1980 and 1981, Allen released three singles – "Baby Get Away", "Switchboard" and "Don't Put Out the Flame" – from her second and final album, Detour, produced by John Hudson, but they had less chart success than her earlier work - though Don't Put Out The Flame was chart hit. Britten had moved on and was working with Tina Turner: writing her hits "What's Love Got to Do with It" and "We Don't Need Another Hero". By mid-1980s a long illness prevented Allen from adequately promoting her career and she subsequently retired.


Allen and her partner, Mark, had a daughter Christa Lea. In the 1990s Allen returned to performing as a vocalist, with country music bands. In October 1998 Allen married Mark, and at that time Michael Gudinski appealed on national radio for information on Allen's whereabouts – Gudinski wanted her to perform at a televised tribute concert for the 25th anniversary of his company, Mushroom Records.[12] On 14 November 1998 Allen sang "Goosebumps" before a huge crowd at the Melbourne Cricket Ground – she retired following her performance which was released on the VHS album, Mushroom 25 Live (December 1998).

In 2006, Gudinski asked Allen to participate in the Countdown Spectacular tour; however, due to ill health, she declined. In March 2008 Allen was diagnosed with pancreatic cancer and died at her home in rural Western Australia on 12 August 2008, aged 53.


Saturday, 27 August 2016

Kevin Borich - 1981 - Shy Boys Shy Girls


Can't Help It/Getting So Excited/Working On A New Day/Shy Boys, Shy Girls/Heart Breaker/ Waiting For You /They Got My Number



 Kevin Borich Express was formed in early 1976 by Borich on lead guitar, lead vocals and occasional flute with Harry Brus on bass guitar (ex-Blackfeather) and Barry Harvey on drums (Wild Cherries, Chain). They recorded a track, "The End of Me" before Brus and Harvey were soon replaced by Reuben San Fiansco on bass guitar and Gil Matthews on drums. Subsequent line-ups were typically a three piece with a succession of bass guitarist and drummers. They released their debut single, "Goin' Somewhere" in October using Fiansco, and John Annas on drums (Wendy Saddington Band), following in March 1977 was their debut album, Celebration! with Annas, and Tim Partridge on bass guitar (Mighty Kong, The Johnny Rocco Band). The album was favoured by critics and peaked in the top 30 on the Australian albums charts.

In early 1977, Borich supported the tour by UK rock guitarist, Jeff Beck. Mid 1977 saw the release of the band's follow-up album Lonely One. This was followed in October by supporting the Rockarena tour with Fleetwood Mac, Santana and Little River Band – Borich was invited on-stage to jam with Carlos Santana. In May 1978, the band toured USA in support of Australian heavy rockers, AC/DC, with Annas, Paul Christie on bass guitar and keyboard player Tim Shafer (Gary Wright Band). This line-up recorded, No Turning Back which was released in March 1979.


By mid-year, Partridge had returned with both Christie and Shafer departing, and together with Annas, Borich recorded Live!, using the 2JJ mobile studio equipment over performances in Melbourne and Wollongong. Live! contains one of the most incendiary and atmospheric versions of Little Red Rooster ever recorded along with a number of Borich standards.

In July, Kevin Borich Express appeared on Renée Geyer's album, Blues License. A European tour by Kevin Borich Express resulted in a compilation album being released in Germany. After the tour, John Watson (Heavy Division) replaced Annas on drums and the band recorded, Angel's Hand in November 1979.[ Similar line-up changes continued into the early 1980s with Michael Deep replacing Partridge in April 1980. This line-up collaborated with solo artist Dutch Tilders to record Blues Had a Baby and They Called It Rock'n'Roll in 1981 on RCA Records. Kerry Jacobsen (Dragon) replaced Watson on drums for Shy Boys Shy Girls mini-LP in late 1981

Sherbet - 1973 - On With The Show


We Can Make It Right/Summer Satisfaction/ Jubilee Morning/Cassandra/Roll Me Over/ Chicago/Jungle Jiver/Sweet Valentine/Au Revoir


On With the Show is an album by Sherbet released in 1973. The album spent 12 weeks in the Australian charts, reaching a highest point of #6.

Alongside Skyhooks, Sherbet was the most successful Australian pop band of the 1970s. With a run of 20 consecutive hit singles to its credit, and 17 albums that yielded ten platinum and 40 gold disc awards, Sherbet was the first domestic act to sell a million dollars worth of records in Australia.

Under the direction of astute manager Roger Davies, the band also pioneered the concept of the national rock tour by undertaking arduous, cross-country treks to play in the far-flung corners of the continent. Sherbets carefully cultivated image tended to alienate the `serious music fan, although the bands ability to deliver well-crafted pop music has never been in doubt.



 The original Sherbet line-up emerged from the ashes of two Sydney dance bands, Downtown Roll Band and Clapham Junction. Englishman Clive Shakespeare formed Downtown Roll Band in 1968 with Doug Rae, Danny Taylor, Pam Slater (vocals), Francis Ma (vocals) and Adrian Cuff (organ). The band played Stax/Volt soul, James Brown and Tamla Motown covers before calling it a day in March 1969. Dennis Laughlin and Sam Sees previous band, Clapham Junction, ran its own discotheque called the Union Jack. There were a number of different Clapham Junction line-ups.


 

 Following Laughlin and Sees departures in early 1969, the line-up of Jim Willebrandt (vocals), William Mahoney (vocals), Derek Lewis (guitar), Peter Noble (bass) and David Mills (drums) recorded a single for the Du Monde label, `Emily on Sunday/`Good Time Music (November 1970). Shakespeare formed Sherbet in April 1969. Taylor left three months later to be replaced by Alan Sandow (ex-Daisy Roots). At the end of the year, the band recorded its debut single for Festival, `Crimson Ships/`Everything.

By the time the single appeared in March 1970, Daryl Braithwaite (ex-Bright Lights, House of Bricks, Samael Lilith) had replaced Laughlin and Bruce Worrall (ex-Bright Lights, House of Bricks, Samael Lilith) had taken over from Rae on bass. Laughlin went on to join Toby Jugg. Well before Sherbet commenced its national touring schedule, the band had honed its performance skills with an unbelievable eight-month residency at Jonathons discotheque in Sydney.

 Throughout the residency, the band played seven hours a night, four nights a week. After that, the members of Sherbet were ready to take on the world! The next member to leave, however, was See who departed in October 1970 to join Flying Circus. From there he joined Fraternity, Greg Quills Southern Cross, The Stockley See Mason Band, the Jimmy Barnes Band and the John Farnham Band among others.

New Zealand-born Garth Porter (Hammond organ, electric piano ex-Toby Jugg) came in as Sees replacement and the band signed to Festivals new subsidiary label Infinity. `Can You Feel It Baby?/`The Love You Save (#22 in August 1971) and a cover of Delaney and Bonnies `Free the People/`All Our Yesterdays (national #36, Sydney #5 in December) were the bands first national hit singles. In January 1972, Tony Mitchell (ex-Wheelbarrow, Harry Young and Sabbath) replaced Worrall on bass.   

 1972 proved to be a watershed year in Sherbets development. The band supported Creedence Clearwater Revival on a national tour the singles Ted Mulrys `Youre All Woman/`Back Home (#13 in August) and `Youve Got the Gun/`Do It (#29 in December) were hits the band took out first place in the Hoadleys National Battle of the Sounds final the debut album Time Change A Natural Progression (December) came out and finally Sherbet was voted Top Australian Group in the Go-Set Pop Poll.

Sherbet issued two singles during 1973, Leiber and Stollers `Hound Dog/`Can I Drive You Home? (#21 in July) and `Cassandra/ `Time Change (#5 in October). `Cassandra came from the bands second album, On with the Show (#6 in November), and was the first real indication of the Porter/Shakespeare-penned pop masterpieces that were to follow. Both records made extensive use of Porters newly acquired Mellotron, which gave Sherbet a distinctive edge and sound over other Australian pop groups of the day. The band ended the year with the Best Australian Group honour at the TV Week King of Pop Awards.